[Jandek] Nevermind.... got it translated
jbswafford21 at tntech.edu
jbswafford21 at tntech.edu
Thu Feb 4 21:35:41 PST 2010
Here's what the article says...
"Dressed in black and sitting in the corner of the stage with a large hat to cover
his features. But for the spotlight to illuminate it, tell it appears that the voice
that echoed through the auditorium of the Teatro Maria Matos started from a
disembodied presence. In fact, Jandek (aka Sterling Richard Smith, or
"representative of Corwood Industries") has built a long recording career from
the total clearance of the artist in music, deliberately avoiding any kind of media
exposure.
It is not known, even, his baptismal name and by 2004 her physical appearance
was unknown, although it is speculated that the man pictured on the album
covers was himself Jandek.
On Saturday, Jandek has brought to the Teatro Maria Matos in Lisbon, the
deconstruction of the country and blues that earned him cult during the last 30
years. Accompanying him on stage were pianist Andrew Abel, the Aquapark,
trumpeter and composer and saxophonist Miguel I Peter Baastien, iconic figure
in European free jazz. This alignment more jazz-oriented seems to be the usual
since 2004, when Jandek gave a concert in anonymous Instal Festival in
Glasgow, Scotland, and give a more urban sound than you would expect to hear
their records, which are almost 60 .
No Maria Matos, the theatrical dimension of music became more evident. The
persona of Jandek as a composer here gets an additional relief, acquires a
greater reality than that which the photographs that adorn the cover of their
album gives. The musicians who accompanied him gave still more structure to
the interpretations, emphasizing the tone and texture to the sound of fractured
rhythms that are hallmarks of the musician from Texas, with saxophone and
trumpet interjections to exchange on the basis of the rhythmic notes hammer
on bass and piano.
One would also designate it by avant-garde, for not settling for any kind of
artistic canons, or by a primitive with one foot in traditional American
mythology, but the truth is that here there is nothing except the music"
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