[Jandek] Jandek Fictional Biography Forthcoming;Author to
Read/Sign in Toronto & Chicago
justchester at mac.com
justchester at mac.com
Sun Sep 3 16:48:27 PDT 2006
Here's a pic of the Jandek venue in Toronto
On Sunday, September 03, 2006, at 07:48AM, Decisions Laboratory <decisionlab at gmail.com> wrote:
>Is there such a thing as "understanding the music" anyway?
>Understanding music = empathizing with algebra? (eg tap dancing about
>architecture etc etc)
>
>...
>
>(The book will in the end have to stand or fall on its own merits
>regardless of its inspirational source/ostensible subject. That someone
>published it lets us know at least something about it.... that is that
>at least one or two people thought it was interesting and readable...)
>
>...
>
>In the end, it will turn out that "Danen Jobe" is Jandek, publishing the
>whole truth of his life in the form of a fan's "fictional" biography.
>
>
>
>
>
>Frank Hardy wrote:
>> But what is really the point of a fictional biography of a real
>> person? The world has enough half-truths. Why not just write a
>> completely fictional novel inspired by Jandek? How does making crap up
>> help us to understand the guy's music?
>>
>> */"Danen D. Jobe" <djobe at uark.edu>/* wrote:
>>
>> Okay.
>>
>> So I've sent out dozens of press releases and spent a solid year
>> now working on this, and yet this is the email I've had the most
>> difficulty composing. Really - started and stopped it six or seven
>> times in the last three weeks. If you want the short of it, skip a
>> paragraph or two. But for THIS list - people I genuinely care
>> about and trust - I want to give an idea of what writing this has
>> been like. So here goes:
>>
>> As a few of you know, I've been working on a fictitious biography
>> based on Jandek, written with Corwood's cooperation and approval.
>> It uses the Jandek name, song titles, lyrics, album covers, music
>> descriptions, etc though it in NO way is to be mistaken for the
>> REAL story of Jandek. Rather, this is culled from - literally -
>> HUNDREDS of hours of listening to the music, discussions with a
>> few people involved with Corwood at one point or another, numerous
>> back and forth letters to and from Houston, a chapbook publication
>> that caused me to destroy (by fire, thank you) EVERYTHING and
>> start over - this being exactly one week before my thesis reading
>> at the University of Arkansas (which I've been writing this
>> project for). Coming up with the RIGHT story, finally, for said
>> reading and then spending the summer hammering out some 200 pages
>> of sprawling story, followed by me asking Corwood if they thought
>> it might be a good idea for me to read in Chicago and Toronto
>> (they agreed), an
>> d me thinking, "you know, it might be nice to have something
>> published," followed by the WONDERFUL folk at Single Cell Press
>> (out of Glasgow - so fitting) agreeing to publish this first
>> installment in what I see as a "Jandek trilogy," three weeks of
>> editing, re-writing, re-thinking and ultimately agreeing on 63
>> pages of content, coming out this month on Single Cell Press, and
>> which I will be reading from the day after the Toronto show and
>> the day before the Chicago one.
>>
>> And now for more specific details: in Toronto I'll be at Circus
>> Books and Music on Monday, September 18th at 6 PM. This is located
>> at 253 Gerrard Street East (I'll give better directions and a
>> phone number in a following email as I figure it out myself) and
>> should be a blast. From there I get to make a maddash back over
>> the border to read at Quimby's Books in Chicago (154 W Northern
>> Street, Chicago - more info www.quimbys.com) at 7 PM Tuesday the
>> 19TH at 7 PM. I can promise the best excerpts I can come up with
>> from the book, which is closest to dark Southern Literature (it's
>> what I write), tracing the future Corwood Rep's life from
>> childhood to his garage band days, growing up in the Ozark
>> Mountains admist much family turmoil (his mother and father leave
>> him to care for his developmentally disabled brother at one point
>> - his mother moving off to Kansas City and Dad going on a
>> six-month bender). There are also other fictiionally recast real
>> people here, most significantly one
>> Frank Stanford, whose poetry you can check at www.alsopreview.com.
>> Stanford is the young narrator's shadow twin, so to speak, and
>> also the person who gets said narrator to take his musical roots
>> and do something with them. Frank happens to be married to Nancy,
>> who ends up singing for the original garage band (and John, the
>> drummer, lifts many of the instruments from "people who won't miss
>> them). It includes sections of the narrator developing the guitar
>> sound (which, by the way, I picked out myself on a 40's era black
>> Gibson acoustic, picking at the strings over Charley Patton songs
>> until it emulated what Jandek does on the early acoustic albums)
>> and falling in love - not with Nancy, but with Frank's fiery
>> sister Jessica. There's also "fictionalized' versions of Son House
>> (he gets a great scene) and a poet/novelist named James Whitehead
>> who's well worth checking out.
>>
>> Okay, that's enough. If you want more I've got a few excerots up
>> at the Myspace page I've created for this puppy:
>> www.myspace.com/niagrablues. I'll keep updates going there. Also,
>> please check my publisher's website at www.singlecellpress.co.uk,
>> as this is where the book will be available (unless you buy it
>> direct from me). While you're there, pick up a copy of Jackie
>> Gilroy's slang-crazed "Thugs and Thieves." The writing style of
>> our books couldn't be any more different and yet there's a
>> communal spirit there. But seriously, Gilroy is the rightful heir
>> to Bukowski, and I mean that lovingly. My book is probably closer
>> to Carson McCullers' "Ballad of the Sad Cafe" or maybe a bit of
>> Cormac McCarthy, but I've worked hard to have it be it's OWN thing
>> first and foremost. Hope anyone who reads it feels the same.
>>
>> Anyway, PLEASE contact me for more info. Now that I can relax
>> (having finally written this) I can say that I hope at least some
>> of you can attend these events - I intend for it to be a pretty
>> wild tour: Jandek on Sunday, my reading on Monday, another reading
>> on Tuesday, Jandek on Wednesday and then I sleep for a week.
>> Somehow my employer at the University has decided this is a good
>> "academic" thing and is supporting this, so I feel all "official."
>> I don't know. Books will be dead cheap (I've got to move them -
>> you knew that was coming, right?) but the readings are free. And
>> hey, I intend to max out a credit card buying pitchers afterward.
>> Seriously. Also, if anyone has floorspace in Toronto or Chicago
>> let me know. This was going to be a family trip but looks like
>> it's a solo thing now (a cost-efficient idea - got the wife and
>> kids' support but this is gonna be a bit intense for young ones),
>> so I find myself in need of floor space. I'll even bring my own
>> pillow and free books
>> a'plenty. I also make a mean coffee.
>>
>> Oh, and finally, there is a tour "pre-launch" radio show at 88.3
>> KXUA radio from the University of Arkansas next Wed night at 9 pm
>> CST. Fear not, non Arkansans (which is what, all of you?) - it
>> will be streamed on the net. I'll get details for that in the next
>> few days, but PLEASE, if you happen to listen in, call and
>> request. It's going to be a very loose show covering what I feel
>> is his key moments mixed in with some of the Summersteps' tributes
>> (including stuff off the new Corwood Variations handmade - I think
>> the "Om" is a must) and a few "Corwood influences" like Blind
>> Willie Johnson. This is going to be three hours long and something
>> special indeed. I'll also read a few short passages from the book.
>>
>> Whew! Okay, I've done it. Thanks for your patience (those who made
>> it this far) and I hope a few of you can make the readings. I
>> think you all know the great respect I have for this artist so
>> please trust that I've put TREMENDOUS effort in making this as
>> good a story as possible, staying true to the roots of Corwood
>> Industries.I'm proud to say that I got the "thumbs up" from
>> Corwood last week in a lovingly detailed letter that gave what may
>> be the world's first lyric correction from the source: the opening
>> passage from "Niagra Blues" should read: "Sometimes go to
>> Niagra/sometimes go the grave/crazy 'bout your dreamer/crazy 'bout
>> your dark night." And here, for thirteen years, I've thought the
>> "uh" after dream was an inflection. Wow.
>>
>> And again, any questions please send my way. As I said, more
>> detailed maps and such as we get closer to reading dates. Books
>> will be for sale until Single Cell Press is so tired of me they
>> toss the rest in the ocean. Thanks again for listening, all!
>>
>> Danen
>>
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>>
>>
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